VY-MU: TYRANNY OF TRANSFERENCE THEATRICS!
WINGED WONKIES!

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When creative cries in the crevices, 
when crass crookedness croaks in the cattiness,
when catch-words cackle in creaky crumples, then theatrics become tepid tanda-pani who's biwi is biwi o biwi! 

FALTOO FUNTOOSH!

A BONE!
A BONEHEAD!
AN ARTHROSCOPE IS SAID TO BE:
A TUBULAR VISION WITH BONE AT EITHER ENDS!
So with such "thick" sawbones,  as the protagonist can there be a 'drama'?
And because there can't be drama there will be parody of pavitra puttyness!
Pooja is said to be married to this boneman,  Orthopaedic Surgeon is the official title of this one who does arthroscopy which is a procedure done between two bones,  now if that is beyond your comprehension never mind,  the explanation is that the bone which passes off for the brain of the bone surgeon looks and proceeds through a fibreglass optics to do some manips at another bone which is what the knee is made of and so on,  really making fun of a highly skilled surgeon!
But this sawbones simply monkeys around with her with her best friend and her mother,  sister and friend [really are they that really?] are having the gripe water sessions about how to tell her about it, and if this pavitra putty couldn't have figured out what's going on 'right under her nose'  or what her 'philanderer' husband of her's is upto then doesn't the audience think she needs a good hose-down with the garden hose!
But maybe with MICRO-IRRIGATION good garden hoses are in short supply.
So the play 'adapted play' meanders on!
Till pavitra putty plots a petty on the bonehead and goes off on an uppity with her 'ardent devotee'  Limp
Donkey character called 'Pappu  Acharya'  who like a 'sudda mudda pappu' plays her second fiddle,  'with his clipped Japanese style intonation,  endless bowings and curtsies and his foolish one-sided love played with great elan by   ....'
By now if this hasn't bored the pants off,  or bored through the pants  [as in you know?] of the 'voyeurs'  sorry viewers of this silly travesty of a tepid theatrics the audience,  the wise arbitrators are roped in to decide whether pavitra putty Pooja should hang on to bonehead or dump him for dumpier devotee!
'The poverty and spinelessness of he husband are revealed as Pooja becomes economically self-relaint and asserts her independence by popping over to dutyfree destinations with puppy-pooh devotee!
'Hubby cries 'miserably pleaded like a baby to be accepted back' and wise arbitrators the voyeurs sorry viewers are asked to decide whether she should or not!
And success bharat nari she proves pavitra
 putty to put up with this fatuity and 'there was happy reconcilement and the power of nari is fully revealed.'
 

creative coaching!
 

Most peope who go to theatre,  or rather read 'reviews'  which are rather 'revived or revivified' or ratherer 'revilified' reviews of theatrics,  do not 'see' it for it is.  IT IS CALLED: 'SEEING LESS AND KNOWING MORE'  IN THE TRANSFERENCE PHENOMENON,  of social judgement passing about people they know next to nothing about.  And a manipulative indoctrination for propaganda is unleashed to effect ' false consensus effect' by 'simultaneous assimilation' of simulated projections of transference phenomena so the aam janta can evaluate others based on limited information via projection of transference phenomena so as to BE INDOCTRINATED BY
 'AUTO-PRIMING OF THE POLITY!'.
Where the unknown becomes accessible by transference of theatrics and 'familiar' by the 'liar'ization of the reality which remains unknown and perhaps left unknowable by the real correspondents!
As a clue to suss out the reality,  and hang on to A TRUE NEUTRALITY here's how:
ONE ORTHOPAEDIC SURGEONS DO NOT MESS AROUND WITH WIFEY'S BEST BUDDIES.
Being bone heads THEIR BEST GAME IS: DOG AND THE BONE.
sOMETIMES THE DOG HIDES THE BONE SOMETIMES IT CHEWS IT BUT MOST TIMES IT DIGS IT OUT!
so the wife's best buddy can't be the 'dog'.
THE DOG IS WHAT MILAREPA SAID IS THE HIGHEST STAGE OF ENLIGHTENMENT:  ALWAYS THERE!
SECONDLY,  the pavitra putty is so dotty that she can't be what the original could have been made out to be:  THE CONSTANT WIFE by Somerset Maugham in 1925.  Because she is simply NOT ALL IN  THERE AT ALL!  ALL THE TIME!
AS FOR 'ARDENT DEVOTEE' sudda mudda pappu would explain it all away!
And if this the quality of 'adapted theatre' reported by a reputed daily recently then we may as well read psychiatry!
For what is most obvious except to the thick boneheads who make mysterious journeys through arthroscopies from one bone at one end to the other bone at the other,  is that this creative crunch must have come from someone not only taking a peek into someelse's dubba but also helping oneself to a hefty 'HEFTY' HANDOUT! ALTOGETHER.

YOU CAN EITHER BE A SITTING POOCH MOOCHING AROUND!
Sitting pooch
LETTING THEM WALK ALL OVER YOU! OR PLAY DOG AND THE BONE!

Now to why would someone want to do something so 'thick' with sick?
The bonehead answer would be because they want to be part of the 'big' picture,  the rather 'put down part of the BIGGER PICTURE'  and part voyeurism WITH ZILCH INVOLVEMENT AND ZILCH DEVOLMENT
BUT MOST majorly transference phenomenon which is a way to cope with PETULENT POWERMONGERS  PUSHY DEMANDS WHO DON'T WANT DEMOCRACY TO DEVOLVE TO ITS MOST EVOLVED LEVEL OF
holoGRama svaRajya!
 
 
And the way it is done is to do it by:
NEUTERING THE NEUTRALS who have no opinion one way or the other!  ESPECIALLY ABOUT FOLKS THEY KNOW NOTHING ABOUT!